updated 3/22/13
photo by Brian Douglas

NEW ALBUM AVAILABLE NOW!!!
MY SOUL ALONE
Chris Duarte's new album "My Soul Alone" is
available HERE
Released on February 23rd, it's his 7th release on the Blues Bureau/Shrapnel
label with Mike Varney. Recorded this past October at Prairie Sun Studios
in Cotati, California, Chris used studio musicians Steve Evans on bass and
Aaron Haggerty on drums and the results are spectacular! Producer Mike Varney
has once again nailed down the "tone" on this revved-up album.
The touring band will feature Dustin Sargent on bass and Dave Anthony on
drums. It'll be great to see Dustin again, he played in the Chris Duarte
Group back in 2006. Click HERE for an up-to-date list of tour dates near you! Grab some friends
and check out the new material performed live by one of the hottest bands
on this planet.

Wanna' See Chris Duarte In Concert
For FREE?!
Simply go to ITunes or Amazon.com and leave a review
of the new Chris Duarte Group album My Soul Alone! This contest
will run until April 3rd and five lucky winners will be picked. Winners
get two tickets to any show between April 4th and June 24th. Not only that,
but you will also get your 15 seconds of fame in the spotlight as YOU introduce
the Chris Duarte Group LIVE on stage! For real! You can even wear a funny
hat!
As the Chris Duarte Group performs
the super "My Soul Alone" album in concert, I would love to have
some concert reviews and photos to post here on the Reviews page. I've posted
several YouTube video links to many 2012 shows, but I also like hearing
people's reactions to the music and their tales of the roadtrip itself.
Please write up a little review, maybe something bigger than a Tweet (or
be as verbose as you want, there's no word limit), and send it on in to: cdgfans@ix.netcom.com or mail them
to:
Chris Duarte Group Fan Club, 939
Revere Street, Aurora, CO 80011
I'll post them here for all
to see! Thanks!
"HOUND DOG BLUES FESTIVAL"
Tulsa, Oklahoma
9/22/12
Here's a YouTube clip of Chris Duarte
with Yoshi Ogasahara on bass going "Crazy" at the recent "Hound
Dog Blues Festival" (click HERE).
SKIPPER'S SMOKEHOUSE
Tampa, Florida
8/18/12
I went and saw Chris Duarte live for
the first time Saturday (8-18-2012) at Skipper's Smokehouse in Tampa, Florida.
I am in the 55+ age group and have seen alot of guitar players in my time.
Every player has his own style and every music fan has his own opinion about
"who's best". But one thing can't be denied - there's not many
out there with more energy than Chris Duarte. What a dynamic live performance!
A great evening of music. If you get a chance to see Chris live, GO!!! Here's
some video clips from the show, click here for "Bottle Blues" and here for "Sundown Blues"!
-review by Don Melton
HIPSHOT JAPAN
Koriyama, Japan
7/25/12
I was tipped off to Chris's show in
Koriyama by friend and Texas based promoter, JJ "Johnny Joe" Nelson.
As a longterm resident of Tokyo with 27 previous years in Texas, I was very
interested to see an artist I enjoyed a lot when living in the states. I
took a train up to Koriyama to see Chris and the band. It was a pain in
the ass, but I felt it would be worth it--and it was! The band did not disappoint!
I enjoyed the hell out of the show, and got to hear some of my old favorites
from recordings such as "Texas Sugar", along with more recent
material. It was great to hear Chris's excellent blues/rock sound, as well
as the more jazzy/fusion stuff. Talking to Chris, drummer Jack Jones and
bassist Yoshi Ogasahara after the show was real nice, and I stocked up on
some recent recordings and memorabilia. I'm looking forward to his next
trip and hope he takes me up on my offer to take him to the one and only
authentic Texas barbecue place in Tokyo!
-review by David Price

KNUCKLEHEAD
SALOON
Kansas City, Missouri
6/24/12
1st Set: Sidetracked / Crazy / Scrawl / Big-Legged
Woman
Make Me Feel So Right / Bottle Blues / Do The Romp
Hold Back The Tears / Ridin' / Free 4 Me
Screenwriter's Blues / 101
2nd Set: The Best That I Can Do / Paper Dolls / Satisfy
Let's Have A Party / One More Cup Of Coffee
Sundown Blues / My Way Down / Cleopatra - Like Eric
Encore: People Say
It was a dark and stormy night
Well actually it was
an outdoor show with not a cloud in the sky and considering it was just
a few days past the solstice, it was pretty sunny when the first notes rung
out! Knucklehead's in Kansas City hosted the final show in the U.S. summer
tour, and lucky me; I was on vacation and could make the trip down from
Nebraska. It was the first time I'd seen the band without old standby Matt
Stallard, but Mark Simms acquitted himself admirably on the bass and drummer
Dave Anthony surely didn't disappoint. As usual, Chris and the boys "played
their asses off". Both sets were straight-ahead hard blues with a mix
of old and new. Paul Barnstable joined the band on guitar for "Screenwriter's
Blues" and "101" at the end of the first set and for "Sundown
Blues" in the second with a solo that I swear melted the plastic chairs
up to the third row! As always - well worth the trip!
-photos and review by Thomas Joyce
"HILLBILLY'S BLUES FEST"
Alcester, South Dakota
6/23/12
Here's a hot YouTube clip of Chris
Duarte and Scott Holt jamming at the recent "Hillbilly's Blues Fest"
(click HERE).

I-90 EXPO CENTER
Sherburn, Minnesota
6/22/12
Here's some
photos of a show in Minnesota sent in by Randy Brown. Mark Simms was on
bass for this leg of the "Blues In The Afterburner" tour.

THE HUNGRY TIGER
Manchester, Connecticut
6/14/12
Here's an intense
version of "Bottle Blues" off YouTube (click HERE).
THREADGILL'S
Austin, Texas
5/20/12
Here's a trippy
version of "Sundown Blues" from the Steamboat Reunion Show at
Threadgill's (click HERE). And then be prepared to be blown away by "Bottle
Blues" HERE and "Make Me Feel So Right" HERE!!!


CRYSTOLA ROADHOUSE
Crystola, Colorado
5/12/12
The Best That I Can Do /
Ridin' / Satisfy / Scrawl / Just Kissed My Baby
Let's Have A Party / Screenwriter's Blues / One More Cup Of Coffee
Make Me Feel So Right / Free 4 Me / 101 / Big-Legged Woman / Slapstak!
Letter To My Girlfriend / Crazy / Open Up That Back Door / Bottle Blues
Leave Her Be / Paper Dolls / My Way Down / Cleopatra-Like Eric / Hard Mind
/ People Say
When I arrived at the Crystola Roadhouse in the mountains
west
of Colorado Springs it was already a full house and an excited
crowd. I like the sound at the old, historic Crystola as it is made up mostly
of wood which gives a warmth to the sound you don't find in other clubs.
Chris has played here a few times now, as well as numerous times just up
the road in
Woodland Park and at the base of the mountain in Colorado
Springs, so he has had a loyal fan base in this area for many years. Chris
sat off to the side of the stage and was writing down the setlist, something
he rarely does. Most shows he uses hand signals and tells the band the next
song on the fly. He writes down a setlist only if the band is new to the
CDG catalog. The show started with a rockin' "The Best That I Can Do"
and never looked back. The dance floor filled up quick and it felt like
a true roadhouse Saturday night! The energy from the audience revved up
the band and Chris was headbobbin' and flying all over the place. Just like
the other night in Denver, it was nearly impossible to get a picture of
his face! This was the third night seeing the band and I definitely
like the new tuning Chris is using on his guitar (the title of an old Who
album best describes it: "Meaty, Beaty, Big & Bouncy"). Chris'
searing solos were red-hot and sharp and his band was right there with him
like a shadow. The audience liked Chris Duarte's rhythmic rap at the end
of "Screenwriter's Blues" a lot. They added a nice, little James
Brown "Sex Machine" riff at the end of "Scrawl" which
was just a teaser. It would've been sweeet to have the song go into
something funky! Chris should do more funk, he is really good at it but
doesn't
think he is (same with slide guitar). You get glimpses of it here and
there with "People Say" or "Screenwriter's Blues", but
I'm talkin' 'bout THE FUNK (like his old tunes "Black Cat Bone"
or "Like This, Like That" he used to play years ago). My favorite
song of the night was the chilling, heartfelt "Bottle Blues" and
you could hear a pin drop as he sang it in the club (I was moved to throw
down a dollar by his pedals). It was a fantastic show, the perfect ending
to the three-night stint here in Colorado. The band left for Texas and shortly
after the area between the Crystola Roadhouse and Colorado Springs went
up in flames, destroying over 300 homes. I hope they come back soon, we
really need the moisture! This was truly one of the hairiest CDG shows I
have ever seen!
-review and photos by Craig Keyzer


...and here's two successful face shots of
Chris Duarte taken at the Crystola Roadhouse by Julianne Gilmer...


THE SONGBIRD CAFE
Beulah, Colorado
5/11/12
Just the 2nd Set (arrived late
due to bad weather): The Best That I Can Do
Still I Think Of You / I'll Never Know / Scrawl / Let's Have A Party / Satisfy
Paper Dolls / How Long? / My Way Down / Cleopatra-Like Eric / Drivin' South

It was a blustery Friday morning, cold and windy, overcast
and wanting to rain or maybe even snow. As my coffee brewed, I looked out
the window and fully expected to see dozens of neighbors out twirling naked
in the rain, giggling crazily and looking up at the drizzly sky with big,
wide grins. Why? When the Chris Duarte Group blew into Colorado they came
on the heels of the driest Spring ever recorded here in Colorado. No rain,
excessive heat, low snowpack, dried-up streams - it sucks! Spring here is
real beautiful and something everyone looks forward to after the cold winter
months, but this year we went from winter straight into a blistering summer
with no spring at all (and no rain). But rainmaker Chris Duarte came to
Colorado and brought with him big, fat drops of much-needed rain in the
form of a statewide coldfront from the northwest. The Toad Tavern show the
night before was our typical hot night with no hint of anything. I grabbed
my coffee and began Drivin' South towards Colorado Springs and then west
up into the mountains to pick up Rev. Bob in the hinky-dink speck of Divide.
We were gonna' roadtrip down the mountain to see the Chris Duarte Group
play in Beulah, a little town situated deep in a remote, scenic area of
the state southwest of Pueblo. Well, the best-laid plans of mice or something
like that... The first delay occurred at 9,500 feet as the drizzly rain
turned into invisible ice and a pea-soup fog that engulfed the landscape,
reducing visibility to 40 feet at most and reducing the speed limit to single
digits. Our roadtrip planning had been based upon the dry/hot conditions
we've had for weeks. Nonetheless I pressed on and made it to Bob's mountain
hideaway up a looping dirt road at 10,600 feet. After getting properly motivated,
we slowly inched our way back down the icy, dirt road to foggy, icebound
Highway 24 to Colorado Springs at the base of the mountains. Our plan was
to arrive at the Songbird Cafe in Beulah around 4:00 or so, but thanks to
the weather we were thrown straight into rush hour in Colorado Springs at
5:30! Muddling our way through that mess cost us another 45 minutes. That
delay, combined with more driving and an early start time by the band, caused
us to arrive at the venue just as the first set was ending (Oh well, half
a Chris Duarte concert is better than nothing!). After a break selling some
merchandise, The Chris Duarte Group began the 2nd set with "The Best
That I Can Do", one of several new songs Chris been trying out on this
tour. New tunes "I'll Never Know" and "Satisfy" were
also played. The set also featured "How Long?" played for the
first time in years, as well as a speed-limit-bustin' "Drivin' South"
as an encore! The band played great but unfortunately the PA system and
acoustics made the sound kind of "boomy" and muddy in parts (but
I got spoiled when Mike Tomaskovic did sound the night before at the Toad
Tavern and had it dialed in nicely). After the show, Rev. Bob and I got
back in the car and made our way out of Beulah under a sky of twinkling
stars and patchy clouds backlit by the moon. As I was on the outskirts of
town and getting up to speed, a blur of white zipped straight from the left
and went right under my front tire with a crunchy double thump. I bit my
tongue as I thought to myself that it sure looked an awful lot like a cat!
"What was that!?" asked Bob, who had also felt the double-bump
under the tires as my car flew on down the road, accelerating onwards without
missing a beat. "I think it was just a cat." I said. "We
should stop, it was probably somebody's pet!" Bob said in a concerned
tone. "I think was is the key word here." I said
in a nondescript tone, eyes looking down the two-lane country road as we
barrelled into the darkness, "Besides, I think that cat killed itself.
It ran straight under my tire on purpose." "Couldn't you have
swerved or braked?" Bob said in another concerned tone. "I
guess I was too busy tryin' to see if it was a cat or not.", I
mumbled, "It must've been the end of the line for that feline and
time to cash in 'ol #9!". Heading back up the mountain, the fog
had dissipated but the temperature dropped to single digits the fog had
given everything a glassy coating of ice. It was a real white-knuckle ride
with the ABS braking system kickin' in a few times, but we made it. I dropped
Bob off and then slowly worked my way back down the icy mountain and back
to Denver, arriving home about 5:30 in the morning. Piece of sweat, no cake!
One more show to go when I wake up at The Crystola Roadhouse on a Saturday
night!
-review and photos by Craig Keyzer
THE TOAD TAVERN
Denver, Colorado
5/10/12
The Chris Duarte Group kicked
off the first of three springtime Colorado shows at the Toad Tavern in Denver.
It had been a year and a half since the band last played here. Since that
time, Chris Duarte had recorded the cool album "Blues In The Afterburner",
recorded some cool studio tracks with the band Mama (click here
for more on this cool collaboration), and had also auditioned some cool
new musicians on both bass and drums. In March and through the beginning
of May, Chris had Mark Simms on bass and Dave Anthony on drums. Former drummer
Jack Jones has also played a few gigs as well. The tour here in Colorado
features newcomer Trey Lander on bass and Dave Anthony on drums. Chris said
he hopes to finalize the band sometime this August. It was really wonderful
to see owner Mark Sundermeier up and around and looking good after being
in a horrific auto accident. He came by to talk to Chris before the show
and I took it as an omen of good things to come. Mark has always been a
big supporter of the Chris Duarte Group, booking the band for many years
now (and has been a fan long before that). As a resident of Denver I would
like to add how important Mark has been in keeping blues music alive in
the Rocky Mountain region. The Toad Tavern has been a blues venue for years
now, giving voice to the music by booking all varieties of blues musicians
from national acts to up-and-coming young local bands. Denver is lucky to
have a club like the Toad. As start time approached I was eager to check
out the new band and hear their take on CDG classics and how new material
from the "Blues In The Afterburner" album would sound live. Chris
gives his bands a lot of room to run and is open to new musical ideas. The
PA music cut off suddenly and the band came quickly on stage and picked
up their instruments. Chris didn't tune up, he just nodded at his bandmates
and then hit an open D chord, letting it hang in the air a bit before diving
straight into a rollickin' full-tilt version of "101". From the
get-go I could tell that Chris had a highly energized band backing him up,
like a lightning strike of focused energy but also playing with bazillowatts
of energy and passion. Right out of the gate, bassist Trey Lander leaned
forward confidently, one hand firmly wringing out chords up and down the
neck as his fingers danced rhythmically across the strings to anchor the
fat boogie of "101", throwing a change-up here and there to the
loping trainlike rhythm. Drummer Dave Anthony, who's sat in the chair since
January, was on top of it all with a decisive, commando beat and both were
playing hard and sweating by the end of the first song, something I always
like to see. After seeing Chris Duarte perform hundreds of times, with a
variety of musicians behind him and across many years, it is my long-winded
observation that his best bands, his best shows, his best playing, are when
he doesn't have to do all the "heavy lifting". The last few years
I've seen Chris play it seemed he was carrying a lot of the show on his
back, even having to do a lot of rhythm work. And sometimes a lackadaisical
band would actually make Chris slow down to their speed! In his best bands,
Chris instinctively knows his rhythm section has his back, allowing him
to skip across the music like a stone across a pond and play more freely,
his rhythm section ready and waiting for him - one that plays hard and is
sweating by the end of the first song! Some of the best CDG rhythm sections
had already played together before and knew each others styles and communication.
They were as tight as clockwork and really lit a fire under Chris's ass
to stay two steps ahead! In this instance, drummer Dave Anthony recommended
Trey Lander to Chris and had played with him in other bands. This show was
Trey's second week with CDG and he was still learning the songs. He was
honored and excited to be playing with Chris and was giving it his all,
not only making a big fat difference to the CDG sound, but also letting
Chris just play. And that he did! I also think Trey and Dave made Chris
play even harder, it was really great! I hadn't heard Chris sound like this
in quite awhile. It was a nice realization and made me smile, especially
since he was just getting warmed up, but there was something else, too.
I couldn't quite put my finger on it. The band was ripping it up with reckless
abandon and they sounded really good (which I naturally attributed to looongtime
CDG fan Mike Tomaskovic, also a professional soundman, who came in to do
the sound for tonight's show). It was between songs, when Chris Duarte was
tuning and hit a few power chords, that I realized what sounded different
- it was the guitar, his Xotic XS-1 Series Strat and its tone. This was
the same guitar I had seen him play since 2009, yet it sounded better than
ever and for the first time it almost sounded like the '63 Fender Strat
it was designed to replace. I have been seeing the Chris Duarte Group since
the early '90s and have seen Chris play the '63 Fender on most songs over
the years. Chris is hard on guitars and the '63 Fender he used on every
album and at most shows became more and more "broken in". The
Fender Strat is synonymous with Duarte's music - the deep, rich tone complimenting
his vocal style. Just like Stevie Ray Vaughan, the Fender Strat and the
music are intertwined, especially in the hands of a player with good hand
strength like Chris. The '63 Strat became too fragile, and valuable, to
take out on the road and Chris is reserving it for studio work only. In
2009 he replaced it with an Xotic Strat (built here in America by ProSound
Communications using the same measurements as the '63 Fender Strat) and
has been playing it ever since. When I first saw Chris play the Xotic in
2009 I noticed it sounded thinner and more tinny than the sturdy Fender
Strat tone I was used to. Up until now I didn't really think it sounded
like a strat and I asked Chris what was different. He said when he recorded
sessions with Mama in August of 2011 (click
here) that he had to tune his Xotic guitar down
lower to match Jeff Leonetti's vocals. Chris decided to tune the guitar
the same way for some live shows and liked the result. Chris said the one
drawback is having to watch his hands more because he has to phrase certain
chords differently. I think it makes all the difference and compliments
his vocals much better, too. I really hope Chris keeps the new tuning, but
I did notice one other drawback beyond him having to watch his hands more
and that is how much harder it is to get a decent face shot of Chris because
his hair hangs down as he looks at his hands or is head-bobbing uncontrollably
(see photo montage where I could not get one single photo without hair in
his face. I take that back, the photo below is the only one I took that
did not have hair in his face! Chris also mentioned
that he is going to grow his hair long again. It is already longer than
his shoulders and along with it,
as in days of yore, comes the frenetic
headbob. Chris's hair and head flew all over the place for most of the show,
like a woodpecker but in human form. So at this show I was unable to get
a face shot but hopefully you kind of know what he looks like anyway. What
a killer show and an interesting setlist that spanned several albums and
included new songs such as "Still I Think Of You", "Make
Me Feel So Right", and "Ridin'". The whole show cooked from
beginning to end and never let up for a second. The solid rhythm section
of Trey and Dave sounded great! Chris and the new tuning of his guitar sounded
really great!! Everybody had a really, really great time!!! And there's
two more really, really, really great shows to go!!!! Really!!!!!
-review and photos by Craig Keyzer
THE WINCHESTER
Cleveland, Ohio
5/4/12
Cleveland
Rocks! Here's a nice 21-minute
clip from YouTube of CDG tearing it up at The Winchester! Click HERE
MUSICPIX.NET Interview with Chris Duarte
Dayton, Ohio
5/3/12
Here's a must-see
online interview that Chris did with MusicPix.net recently. He talks
about the "Blues in the Afterburner" album, his gear, and a lot
more HERE

THE CANAL HOUSE
Tuscarawas, Ohio
5/2/12
Here's a cool
YouTube clip of the band "live". Click HERE
"CONCHO VALLEY LIVE" TV SHOW
San Angelo, Texas
4/18/12
Here's a clip
of Chris Duarte, Mark Simms, and Dave Anthony performing on the "Concho
Valley Live" TV show in San Angelo, Texas. They perform "Let's
Have A Party" and at the beginning Chris starts to sing in the background,
forgetting there's a microphone right in front of him! The magic of "live"
TV! (click HERE)
LOW SPIRITS
Albuquerque, New Mexico
4/16/12
Some nice,
little black & white clips from YouTube of "Bottle Blues"
(click HERE) and "Big-Legged Woman" (click HERE). This leg of the "Blues in the Afterburner"
tour featured Mark Simms on bass. And here's a jam of Chris Duarte with
Ryan McGarvey on "Shake For Me" (click HERE).
THE 21st AMENDMENT
Omaha, Nebraska
4/4/12
1st Set: Hideaway / Scrawl
/ Still I Think Of You / Big-Legged Woman
Open Up That Back Door / Free 4 Me / Hold Back The Tears
Make Me Feel So Right / Do The Romp / Let's Have a Party / Sundown Blues
2nd Set: The Best That I Can Do / Letter To My Girlfriend / Crazy
Satisfy / Screenwriter's Blues / One More Cup of Coffee / Slapstak!
Cleopatra - Like Eric / Encores: My Way Down / People Say / Hard
Mind
Like I've said before, it's a road trip if it's too far
to walk, and Omaha is too far to walk from Lincoln! Thanks to Tracy from
Waterloo for saving me a seat and to Karen for once again doing a fine job
selling the merchandise, including the new tee shirt, in all sizes up to
3X, which Chris said could be used as a prom dress. The band played many
of the same songs as they did Monday night in Lincoln, but as usual, it
was still a completely different show with fewer songs but longer solos.
Both sets were extremely high energy, and the encore included two songs:
"My Way Down" and "People Say" - but as if that wasn't
enough, venue owner Mark convinced the boys to come back for a second encore
- "Hard Mind". This show was also the last for Matt "Skinny
Buddha" Stallard, who will be leaving The Chris Duarte Group to devote
his time and talent to his band Copious Jones. All in all an incredible
two nights of some of the best music to be found this side of rock &
roll heaven! Here's a video clip of
"Still I Think Of You" from the show that was posted on YouTube
(click HERE)
-review and photo by Thomas
Joyce

THE ZOO BAR
Lincoln, Nebraska
4/3/12
1st Set: Hideaway / Scrawl
/ Still I Think Of You / Big-Legged Woman
Leave Her Be / Let's Have A Party / Sundown Blues / Drivin' South
One More Cup Of Coffee / Satisfy / Hold Back The Tears
Make Me Feel So Right / 101
2nd Set: The Best That I Can Do / Letter To My Girlfriend / Do The
Romp
Something Wicked / Crazy / Hard Mind / Screenwriter's Blues
Are You Experienced? / My Way Down / Borrowed Love
Cleopatra - Like Eric / Encore: People Say
The hardcore fans were here to witness the return of the
Chris Duarte Group to the legendary Zoo Bar after almost a year's absence;
the weather was more like July than August and the band did their best to
crank up the temperature even hotter. New drummer Dave Anthony fit right
in, driving the tempo hard all night, with stalwart Matt Stallard laying
down the bottom with his usual Zen serenity. Even though the crowd was somewhat
sparse, Chris vowed to push it to the limit and no one was disappointed.
Chris started out with a blistering version of Freddie King's "Hideaway",
interspersed with some riffs from "The Peter Gunn Theme," before
launching into fan favorites old and new. About halfway through the first
set the walls shook with "Drivin' South" before slowing down to
a ska-tinged "One More Cup of Coffee". The first set ended with
a rockin' "101". The second set featured a smokin' version of
"Shiloh/Something Wicked", followed by insane solos as part of
"Slapstack" and "Hard Mind". Perennial favorite "Screenwriter's
Blues", an uptempo rendering that included some added lyrics referring
to the Nebraska Cornhuskers and "The Penis of the Plains" - our
state capitol and segueing into Hendrix's "Are You Experienced?"
- which singed my eyebrows as I stood in front of the stage! As always,
it was good to see some of the regulars, Tracy from Waterloo Iowa, and Mike,
who claimed that it was his 138th CDG show and David Sukovaty, photographer
extraordinaire. The show was supposed to end at 9:00 p.m., but somehow the
last notes faded away closer to 10:00!
-review and photos by Thomas Joyce
ROTHSCHILD PAVILION
Rothschild, Wisconsin
3/31/12
Here's some YouTube videos of jams
between Chris Duarte and Albert Castiglia! They did several songs together
including an instrumental version of "Big-Legged Woman" (click
HERE) and a long, wicked jam of "Make Me Feel
So Right" (click HERE)

THE HUNGRY TIGER
Manchester, Connecticut
1/31/12
1st Set: 101 / Open Up That Back Door / Big-Legged Woman
Let's Have A Party / Still I Think Of You / One More Cup Of Coffee
Crazy / Scrawl / Watch Out / Leave Her Be / Drivin' South
2nd Set: Satisfy / You Make Me Feel So Right / Bottle Blues
Just Kissed My Baby / Ridin' / Hideaway / Sundown Blues
Letter To My Girlfriend / My Way Down / Cleopatra-Like Eric
The band played a few familiar standards as well as numbers
from just about every past CDG release, something from the Bluestone 396
disc plus a couple from Chris' latest album, Blues in the Afterburner.
Every CDG show I've seen at The Hungry Tiger has been on a Thursday night,
so it broke with tradition to make the 75-mile drive early in the week for
this Tuesday gig, but Chris' tradition of presenting hours of entertainment
remains unbroken. The band opened the first set with a rousing "101"
followed by a stomping version of Hank Ballard's "Open Up Your Back
Door" before
jumping into a slightly funkified ten-minute
version of "Big-Legged Woman" that contained a couple of Chris'
signature exploratory excursions and "Let's Have a Party." Next
up was the Bluestone piece of the night, "Still I Think of You"
before heading into "One More Cup of Coffee", "Crazy"
-- which was exactly that and included harmonizing vocals by bassist Matt
Stallard -- and "Scrawl." Chris then launched into a slightly
slower and more bluesy 14-minute treatment of "Watch Out" and
closed out the set with "Leave Her Be" and another favorite jam
of mine: "Drivin' South." Set Two commenced with "Satisfy"
from the Vantage Point album before giving us a taste of Blues
in the Afterburner tunes like "You Make Me Feel So Right"
and "Bottle Blues." This was the point at which I reluctantly
brought out my video camera and randomly captured six of the songs from
the second set, but I'll say that I'm sure grateful I was shooting "Bottle
Blues" -- that was unbelievable! (Check it out on YouTube by clicking
here!) It's tough
to shoot video and enjoy the show at the same time, and I'm always torn
between shooting and just enjoying the show, but the result always makes
it worth it. "Just Kissed My Baby" slowed things down a bit, but
the energy level cranked right back up when the feedback crescendo ending
led into "Ridin'" as drummer Dave
Anthony put the pedal
to the metal and really gave this one his personal touch -- nicely done!
And while I greatly enjoyed "Hideway," Chris commented at the
end how he "really needed to practice that one!" A ten-minute
take on "Sundown Blues" quickly followed, including the standard
deviations for a live CDG piece of this length, and was held tightly together
by Matt's confident bass underpinnings. A short five-minute treatment of
"Letter To My Girlfriend" got the crowd shuffling again before
the finale trio of "My Way Down," "Cleo" and "Like
Eric" that held the remaining faithful captive for a combined twenty-one
minutes. Talk about entertainment value! How many bands play a total of
160
minutes -- that's two hours and forty minutes -- and are
nice enough to hang around, shoot the breeze with you, answer questions
on technique and regale you with Shakespeare? I've been listening to the
Chris Duarte Group and saw them for the first time in 1995. Right now I'm
listening to audio from "My Way Down," one of the songs I shot
video of, and this music just never gets old - it gets better.
-review and photos by Brian Douglas
B.B. KING'S BLUES CLUB
New York City, New York
1/30/12
Here's some nicely-shot YouTube clips from the
Big Apple of "Still I Think Of You" HERE and "Let's Have A Party" HERE
Hey y'all, remember to confirm
the shows before roadtrippin'!
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